Welcome to Music Enterprise Worldwide’s weekly round-up – the place we ensure that you caught the 5 largest tales to hit our headlines over the previous seven days. MBW’s round-up is supported by Centtrip, which helps over 500 of the world’s best-selling artists maximize their earnings and scale back their touring prices.
The enterprise of streaming dominated developments within the music business this week, with Common Music Group COO and CFO Boyd Muir telling an viewers at a Morgan Stanley convention that we will anticipate to see the primary of the brand new superfan-oriented ‘Tremendous-Premium‘ subscription tiers seem in 2025.
In the meantime, Amazon Music revealed this week that it’s following in Spotify‘s footsteps and bundling audiobooks (from its Audible service) into its music subscriptions. Nevertheless, in contrast to with Spotify’s bundling, Amazon’s transfer received’t consequence in decrease mechanical royalty payouts for songwriters.
Following a stellar Q3 earnings report, Spotify‘s inventory value soared to a file excessive, giving the corporate a market cap of $92 billion. Co-founders Daniel Ek and Martin Lorentzon took the chance to money out big-time, promoting a mixed $420 million in shares in November alone.
That windfall bought MBW founder Tim Ingham pondering whether or not it’s time for Common Music Group to promote its stake in Spotify, now price $3 billion.
In a separate column, Ingham famous that, in keeping with Spotify’s Q3 outcomes (and This autumn forecast), the corporate expects to submit a USD $1.5 billion annual working revenue on the shut of this 12 months, and recommended that “the long-argued premise that Spotify must claw again margin from songwriters – or certainly any music rightsholder – with a view to survive is now palpably false”.
Lastly, Warner Music Group‘s calendar Q3 earnings, launched this week, confirmed 10.6% YoY development in subscription streaming revenues.
Right here’s what occurred this week…
1) ‘SUPER-PREMIUM’ MUSIC SUBSCRIPTION TIERS COMING IN 2025, AND 3 OTHER THINGS WE LEARNED FROM UNIVERSAL MUSIC’S BOYD MUIR AT THE MORGAN STANLEY CONFERENCE
Boyd Muir, Chief Working Officer and Chief Monetary Officer at Common Music Group, expects “super-premium” subscription tiers to begin showing in 2025 – and he expects that between 20% and 30% of paying music subscribers will finally enroll.
Subsequent 12 months, “you’ll see the primary of these choices,” Muir advised an viewers at Morgan Stanley’s European Tech, Media and Telecom Convention in Barcelona this week.
“We’re speaking to all of the platforms about what their premium providing would possibly seem like. They’re all a bit completely different,” Muir added.
“The forms of issues we’re speaking about are early launch of music, issues like premier occasions round music, issues like chat room[s] between artist and fan, collectibles…”
2) AMAZON MUSIC TO BUNDLE AUDIOBOOKS FROM AUDIBLE – AND UNLIKE SPOTIFY’S BUNDLING MOVE, PUBLISHERS SAY IT WON’T DECREASE REVENUE FOR SONGWRITERS
Spotify’s rival, Amazon Music, has change into the most recent music streaming service to bundle audiobooks with its Premium subscription.
In a problem to Spotify’s audiobook service, Amazon Music Limitless subscribers within the US, UK, and Canada can now pay attention to at least one audiobook a month from Amazon-owned audiobook service Audible. The retail and tech large acquired Audible for $300 million in 2008.
The NMPA has already responded to the information, and the distinction between the group’s response to Amazon Music’s transfer and its response to Spotify’s transfer earlier this 12 months is hanging.
“We anticipate this new Amazon bundle is not going to lower income for songwriters,” NMPA President and CEO David Israelite mentioned. “In contrast to Spotify, Amazon is taking a look at music creators as enterprise companions and in search of to have a deal in place earlier than the primary spherical of royalty funds…”
3) UNIVERSAL MUSIC GROUP’S STAKE IN SPOTIFY IS NOW WORTH $3 BILLION. IS IT TIME TO SELL?
Common Music Group and its buyers have good cause to really feel conflicted about Spotify‘s hockey-stick worth development in 2024.
In any case, UMG, the world’s largest music rightsholder, was price 3 times as a lot as SPOT in market cap phrases as not too long ago as the tip of 2022.
But as issues stand at present, in public valuation phrases anyway, Spotify is king of the music enterprise.
Having overtaken UMG’s public valuation this summer season, Spotify – with a $92 billion market cap at present – is at the moment price roughly double Common’s valuation on the Amsterdam Euronext…
4) SPOTIFY GAINS PROFITABILITY… BUT LOSES THE ARGUMENT.
Who’s bought the larger consumer base: Netflix or Spotify?
Proper now, there’s no contest: it’s Spotify.
In keeping with its newly-released Q3 outcomes, Daniel Ek‘s inexperienced machine was accessed by 640 million MAUs (month-to-month lively customers) within the quarter to finish of September.
Netflix’s official consumer base hit 282.7 million ‘members’ in the identical interval. As well as, Netflix not too long ago confirmed it now has 70 million individuals signed as much as its ‘ad-supported’ tier, which launched two years in the past.
The massive distinction?
All of Netflix’s customers are paying one thing…
5) WARNER MUSIC ACHIEVES FOURTH STRAIGHT QUARTER OF DOUBLE-DIGIT SUBSCRIPTION STREAMING GROWTH AS CALENDAR Q3 REVENUES HIT $1.63BN
There have been loads of questions concerning the development trajectory of streaming revenues at main music corporations this 12 months.
Warner Music Group has persistently offered one of the optimistic responses.
On November 21, WMG introduced its fiscal This autumn (calendar Q3) outcomes. The corporate has posted double-digit YoY recorded subscription streaming development on a normalized foundation for the fourth quarter in a row.
In calendar Q3 (WMG’s fiscal This autumn), the corporate’s subscription streaming revenues grew 10.6% YoY on a normalized fixed forex foundation to $645 million…
MBW’s Weekly Spherical-Up is supported by Centtrip, which helps over 500 of the world’s best-selling artists maximise their earnings and scale back their touring prices.Music Enterprise Worldwide